The Daisy Chain

Director: Aisling Walsh

Year: 2000

Forgive And Forget is a the story of David (Steve John Shepherd), a builder, and Theo (John Simm), a student, who have been friends since childhood. When Theo's relationship with his new girlfriend Hannah (Laura Fraser) begins to develop into something serious, David's world begins to unravel as he is forced to confront his sexual identity and admit to desires and longings that have long been kept hidden. He becomes obsessed by confessional day-time chat shows and decides that appearing on one is the only way he can resolve his emotional problems. The film marks the television debut of writer Mark Burt, who wrote it as his graduation piece from the Northern School of Film and Television. It was picked up by producer Simon Passmore and director Aisling Walsh. Passmore describes the piece as "emotional, raw and powerful. I think it is a drama for the eve of 2000. It is a story of betrayal, confusion and denial but at the root it is all about love. It's a love triangle with a twist. Each of the three major characters has their own journey and totally different characters emerge at the end." Filmed in and around London in June last year, Forgive And Forget is one of those rare films made for television that find success on the festival circuit. It premiered at the London Film Festival last year, was transmitted in the UK in January and has subsequently been screened at several international festivals including the San Francisco Gay And Lesbian Festival.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.