The Dark Mile

Director: Gary Love

Year: 2007

Disillusioned, middle class accountant Tom (Steven Mackintosh) has lost everything, including the will to live. In the back streets of London he searches for a gun. When he meets D (Ashley Walters), a homeless drug addict, Tom thinks he can buy what he needs without getting his hands dirty. But what D's offering comes with more than just a price tag. In a derelict warehouse, the transaction is underway. But D stalls, he is loving the rarity of a captive audience for his incessant, high-octane chatter. Elsewhere, local crime Kingpin Hoodwink (Andy Serkis) explodes with anger. He has been robbed in his own home, and he wants the culprit and his property back - now. Bursting into the warehouse, Hoodwink is quick to lay into D with the beating of a lifetime. Tom intervenes, and for his efforts, he too, receives a savage beating from Hoodwink. Desperate for his life, D points the finger at three others. Hoodwink leaves to continue his rampage elsewhere, but both D and Tom know it's only a matter of time before Hoodwink discovers the truth about the gun - and returns to find it, and them. With the impending threat of Hoodwink on their backs, D and Tom play an intense game of cat and mouse, scrambling to cut a deal and make sense of the very lives they may be about to lose .

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.