The Earthquake Bird

Director: Wash Westmoreland

Year: 2018

Keira Knightley leads this timely film about the struggles of the avant-garde French novelist, Colette; a story that resonates in the era of female empowerment. Colette’s marriage to Henry ‘Willy’ Gauthier-Villars (Dominic West) thrusts her from a simple country life into the raucous creative demi-monde of Paris. Swiftly developing her talent as a writer, Colette’s first novels are published under Willy’s name. An author in his own right, Willy mentors Colette and later betrays her as her stories gain them fame and notoriety. Whip-smart, precocious and unapologetic, not only is Colette a talented author, actor and journalist, but also a trailblazer, fighting for the survival of her voice and identity in a male-dominated world, who shines a light for future generations of female artists. Official Selection Toronto International Film Festival 2018 - Special Presentations

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.