Project Detail

The Estuary of River Cuckmere

Synopsis

A couple in their forties receive a bizarre phone call from the nursing home where the woman's mother resides.They decide to visit her and set off on what will become a metaphysical journey along the south coast of England to meet their innermost fears and to be seized by them.

Details

Year
2013
Type of project
Shorts
Running time
29 mins 56 secs
Format
35mm
Director
Ola Jankowska
Producer
Emily Morgan
Editor
Carmela Iandoli
Screenwriter
Ola Jankowska
Director of Photography
Tim Chen
Production Designer
Natasha Mackey
Sound
Maiken Háberg Hansen
Composer
Matt Kelly
Principal cast
David Bark-Jones, Lisa Kay

Genre

Categories

Production Status

Production Company

National Film and Television School

www.nfts.co.uk

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Fucking, Drifting, Grasping, City Lights Fucking, Drifting, Grasping, City Lights

Director: Ola Jankowska

Year: 2012

He's a sadist, she just runs away. They meet urgently, quickly, in dark alleys, closed kebab shop and take aways. Both married, both successful - best companions in severance. A harsh, ruthless portrait of two characters and a city that doesn't love them back.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.