The Fever
Synopsis
During the night, she starts to retrace her happy childhood and her relatively happy adult existence as a kind, hard-working professional woman who loved her family and friends, appreciated music and the arts. But she is also retracing the unusual events that have led her to this place, and how the people she has met on that journey began to change her understanding of the world. Now, in this lonely hotel room she is struggling with a new and unpleasant perception of herself and her life.
As the dawn breaks, her fever subsides and with it comes an honest appraisal of herself. With gut-wrenching clarity she has come to understand her responsibility for the violence of poverty and exploitation she sees in the world.
Details
- Year
- 2006
- Type of project
- Features
- Running time
- 83 mins
- Format
- 35mm
- Director
-
Carlo Nero
- Producer
- Vanessa Redgrave, Jason Blum
- Editor
- Mel Quigley
- Screenwriter
- Carlo Nero, Wallace Shawn
- Director of Photography
- Mark Moriarty
- Sound
- Stjepan Suskovic
- Composer
- Claudio Capponi
- Principal cast
- Vanessa Redgrave, Angelina Jolie, Michael Moore, Joely Richardson, Rade Sherbedgia, Geraldine James
Genre
Categories
Production Status
Production Company
Shawn-Fever Productions Ltd.
26 Prebend MansionsChiswick High Road
London W4 2LU
UK
T+44 (0)20 8994 0992
prebend36@aol.com
Sales Company
HBO Enterprises
T+1 (212) 512 1000
Page updates
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See also
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Year: 2005
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Director: Sandeep Kumar Paul
Year: 2026
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Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.