The Funeral of the Last Gypsy King
Synopsis
Details
- Year
- 2000
- Type of project
- Shorts
- Running time
- 8 mins
- Format
- 35mm Fuji
- Director
-
Jane Rogoyska
- Producer
- Meg Thomson, George Duffield
- Editor
- Larry Sider
- Director of Photography
- Alex Howe
- Composer
- Jez Danks, Dario Marianelli
- Principal cast
- Roy Leett, Haydn Evans, Ioan Guile
- Screen Writer
- Jane Rogoyska
Categories
Production Status
Production Company
Arcane Pictures 46 Wetherby Mansions Earls Court Square London SW5 9DJ Tel: 020 7244 6590 Fax: 020 7565 4495 thomson@dircon.co.uk
Sales Company
Atom Films Warwick House 9 Warwick Street London W1R 5RA Tel: 020 7244 6590 Fax: 020 7565 4495
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Director: Jane Rogoyska
Year: 2003
A happy group of picnickers bustle to the beach. One man changes into his swimming trunks, puts on a pair of flippers, does a clownish dance and dives into the grey-blue sea. The other picnickers notice their friend waving from the water, and wave back energetically. We hear the waves. The man waves from the deep water, his hand sailing from side to side. Gradually, he loses control in the water and disappears.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.