The Invisible Man

Director: Amancay Tapia Montes

Year: 2005

America is a young Bolivian girl living in London. It is ten in the morning and a collect call from Bolivia will change the course of her day drastically. Her mother has died. She was killed while protesting against the USA's radical antidrug policy in the country. America promises her sister she will take the first plane to La Paz leaving today to be present at the burial tomorrow.   When she hangs up she embarks on a journey full of obstacles that she will have to overcome. She has two problems; the ticket costs £500 but she only has £100, and the plane leaves at 11:30 am. That is in 90 minutes. Her determination to get the money and see her mother for the last time in her life will be stronger than the antagonist elements oppressing her. To board the plane to La Paz will become her American dream. At the end of her journey, America will be determined to follow in her mother’s footsteps and show the USA that their repressive policy against the coca leaf is unjustified, even more so when respect for human rights and social welfare is at stake. Coca is not cocaine.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.