Project Detail

The Kármán Line

Synopsis

A mother is hit by a rare condition that causes her to levitate very gradually straight upwards.

Details

Year
2014
Type of project
Shorts
Running time
24 mins 42 secs
Format
RED Epic
Director
Oscar Sharp
Producer
Tiernan Hanby, Campbell Beaton, Max McGill
Co-Producer
Sonya Sier
Executive Producer
Chris Collins
Editor
Alex Berry, Claudia Wass
Screenwriter
Dawn King
Director of Photography
Robbie Ryan
Production Designer
Jerry Bland
Sound
Joe Marsden
Composer
Bjarni Biering Margeirsson
Principal cast
Olivia Colman, Shaun Dooley, Chelsea Corfield, Julia Watson

Categories

Production Status

Production Company

Fortune Films

Spectrum Studios
2 Manor Gardens
London
N7 6ER
T: +44 (0)7904 068 063
E: info@fortune-films.com

Sales Company

Oscar Sharp

E: MrOscar@gmail.com

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Sign Language Sign Language

Director: Oscar Sharp

Year: 2011

Ben holds a sign in the street for a living, and loves his job more than almost anything. But today is his last day.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.