The Long Road

Director: Craig Griffith

Year: 2008

Through the Looking Glass is a psychological horror detailing the path of one man’s obsession that culminates in madness, fear and ultimately death. The Artist lives alone in a foreboding old house in the country, a place of solitude, free from distractions. For years he has been happy here, content and prolific, but now he is at odds with his work and is unable to paint. This Painter's block has lead to a desperate man obsessed with the need to paint, leaving The Artist in a state of disarray. All of this changes when he finds a large mysterious package left on his doorstep. The Artist unveils the wrapping to find a strange ornate mirror enveloped within. As events progress strange things begin to manifest. At first these seem trivial. However things soon escalate into increasingly disturbing occurrences. During this time he becomes wracked by horrific and surreal visions that begin to fuel his work. As he experiences each aberration, The Artist enters an almost trance-like state, during which he paints what he sees. Through his addiction to these ardent visions, he becomes more reclusive. Each brush stroke brings him inexorably closer to an unknown fate, a fate that is perhaps foretold in the very visions that fuel his work.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.