The Man Who Invented Christmas
Synopsis
Details
- Year
- 2017
- Type of project
- Features
- Running time
- 104 mins
- Director
-
Bharat Nalluri
- Producer
- Niv Fichman, Vadim Jean, Robert Mickelson, Susan Mullen, Ian Sharples
- Executive Producer
- Johanna Hogan, Mitchell Kaplan, Andrew Karpen, Laurie May, Paula Mazur,
- Editor
- Stephen O'Connell, Jamie Pearson
- Screenwriter
- Susan Coyne (screenplay), Les Standiford (book)
- Director of Photography
- Ben Smithard
- Production Designer
- Paki Smith
- Composer
- Mychael Danna
- Principal cast
- Dan Stevens, Christopher Plummer, Jonathan Pryce, Simon Callow, Miriam Margolyes, Anna Murphy, Morfydd Clark
Categories
Production Status
Production Company
US, Ireland, UK coproduction
Mazur/ Kaplan Company (US), The Mob Film Company (UK), Parallel Films (UK, IE), Rhombus Media (CA)
The Mob Film Company
Church House29 Great Smith Street
London
SW1P 3BL
Sales Company
Solution Entertainment Group (world sales excluding US)
6525 W Sunset Blvd. GS4Hollywood
CA 90028
USA
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Spooks: The Greater Good
Director: Bharat Nalluri
Year: 2015
When a terrorist escapes custody during a routine handover, Will Crombie must team with disgraced MI5 Intelligence Chief Harry Pearce to track him down before an imminent terrorist attack on London. UK release May 2015
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.