The Mapmaker

Director: Thomas Cochrane

Year: 2011

In the aftermath of World War 1, an expectant bride from a well-to-do family marries her young lover. No happy-ever-after tale this, and The Tenement Ghost draws us swiftly into a sordid world of violence and despair. Yes, it begins well enough, the couple embarking on a grand European honeymoon, but the groom's thirst for alcohol is shortly apparent. Returning to begin their new life together, the bride finds her efforts to nurture the marriage thwarted by her husband's excessive drinking. He dominates the relationship but spirals into alcoholism, his arrogance and self-loathing manifest in physical and emotional violence. Her rapid transition from starry-eyed bride to battered wife is marked by the appearance of a ghostly apparition and, though we are never sure whether this spectre is real or simply a fantasy borne of her brutal situation, its appearances become more frequent as her personality disintegrates. The death of their unborn child pushes her ever closer to the edge of sanity until the ghostly visitor's promptings finally impel her into a last desperate attempt to free herself from torment, bringing the Tenement Ghost to its ghastly and appalling climax.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.