The Mire Archive

Director: Lynda Myer-Bennett, Clive Myer

Year: 2013

A unique take on the world's most performed play The Cherry Orchard. The film explores Chekhov's play and Pirandello's Six Characters in Search of an Author creating a new space between narrative and documentary. Six actors are brought together in a country house over one weekend to put on an improvised version of The Cherry Orchard. They are pleased to see each other again and begin to explore the house and talk about old times. They chat about the play and what they feel needs to be done during this weekend but as they cast themselves as suitable characters cracks begin to appear. They discuss the dramatic themes - longing for things past, decay, regret, loss, spite and jealousy which slowly and imperceptibly begin to take over the actors and their characters. Little do the actors realise they will be consumed by the play both as the characters, over which they argue, bitch, make alliances and betrayals, and as themselves, loving, jealous, spiteful, bullying human beings. What begins as a light-hearted weekend of theatrical fun gradually turns into a self-doubting and destructive scenario. As they gather in the garden to make their theatrical entrance will they ever be able to be friends again?

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.