The Mystic Masseur

Director: Ismail Merchant

Year: 2000

Post-colonial India of 1950's, and Cotton Mary, (Madhur Jeffrey) an Anglo-Indian nurse befriends expatriate Lily Macintosh (Greta Scacchi) at the premature birth of her baby. Lily's husband John, (James Wilby) a BBC correspondent, is away working, and she is exhausted and emotional after the birth, and further devastated after realising she is unable to breast feed her child. Mary provides a vital lifeline by taking the baby on daily trips to her crippled sister, Blossom, a wet nurse who provides milk for the infant. The success that Mary has in arranging for the feeding of the baby makes her indispensable to Lily, who offers her a permanent position in her home as a Nanny working with her family. Mary's relationship to the baby and her burgeoning friendship with Lily gives her a unique position to operate. Mary abuses this relationship, and deviously does everything she can to gain control of the house and achieve the prestige of being both associated with, and of extreme importance to a British family. Cotton Mary offers a thought provoking insight into the ambitions of an Anglo-Indian woman trapped in a class-ridden, status conscious society.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.