The Phone Call
Synopsis
Details
- Year
- 2013
- Type of project
- Shorts
- Running time
- 20 mins
- Format
- Alexa
- Director
-
Mat Kirkby
- Producer
- Mat Kirkby
- Executive Producer
- Mat Kirkby, James Lucas
- Editor
- Lizzy Graham
- Screenwriter
- Mat Kirkby, James Lucas
- Director of Photography
- Ole Bratt Birkeland
- Production Designer
- Peter Francis
- Composer
- Andrew Wallace
- Principal cast
- Sally Hawkins, Jim Broadbent
Categories
Production Status
Production Company
c/o Mat Kirkby
RSA Films42-44 Beak Street
London
W1F 9RH
Sales Company
Same as Production Company
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Hair of the Dog
Director: Mat Kirkby
Year: 2017
Charles Brooks left jail in 1986, only to discover that his one remaining asset was an ex prize-winning show dog. Penniless and desperate to reconcile with his daughter, he set his sights on winning Crufts, the world's biggest dog show. Feature debut from the director of the Oscar-winning shirt film 'The Phone Call'.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.