Project Detail

The Pod Generation

Synopsis

A New York couple and their wild ride to parenthood in this brave new world by using a new tool developed by a tech giant, Pegasus.
Official Selection Sundance Film Festival 2023 - Premieres - World premiere

Details

Year
2023
Type of project
Features
Running time
101 min
Director
Sophie Barthes
Producer
Nadia Khamlichi, Genevieve Lemal, Martin Metz, Yann Zenou
Editor
Olivier Bugge Coutté, Ron Patane
Screenwriter
Sophie Barthes
Director of Photography
Andrij Parekh
Production Designer
Clement Price-Thomas
Composer
Evgueni Galperine, Sacha Galperine
Principal cast
Emilia Clarke, Rosalie Craig, Chiwetel Ejiofor

Categories

Production Status

Production Company

Belgium, France, UK co-production

Sales Company

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Madame Bovary Madame Bovary

Director: Sophie Barthes

Year: 2014

The beautiful wife of a small-town doctor engages in extra-marital affairs in an attempt to advance her social status.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.