Project Detail

The Pond

Synopsis

For Maisie, the Pond is a place to escape her troubled home life and explore her strengthening allure to the boys, it is the place where she holds all the power over them. What she doesn't know is that it also holds a deep dark secret.

Details

Year
2009
Type of project
Shorts
Format
35 mm
Director
Sonja Phillips
Producer
Nicola Doring, Claire Neate James, Sonja Phillips
Co-Producer
Nicola Doring, Claire Neate James, Sonja Phillips
Editor
Jon Harris
Screenwriter
Sonja Phillips
Director of Photography
Mary Farbrother
Production Designer
James Thompson
Sound
Ben Hooper
Composer
And
Principal cast
Beth Pope, Rory Bain, Theo Hodkins

Categories

Production Status

Production Company

andSOME Films

5 Gainsborough Studios West
1 Poole Street
London N1 5EA
UK

sonjaphillips@andsomefilms.com

HSI London

Royalty House
72 Dean Street
London, W1
UK

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

The Knickerman The Knickerman

Director: Sonja Phillips

Year: 2005

A sleepy village in Lincolnshire is awakened by the arrival of a knicker salesman.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.