The Silver Goat
Synopsis
The Silver Goat is the first film created for the iPad and the 1st to be released as an app in the UK, Europe and Latin America.
Details
- Year
- 2012
- Type of project
- Features
- Running time
- 83 mins
- Format
- HD
- Director
-
Aaron Brookner
- Producer
- Paula Vaccaro
- Co-Producer
- Diego Cannizzaro
- Executive Producer
- David Tongers
- Editor
- Rafael D'Andrea
- Screenwriter
- Aaron Brookner; Story by: Paula Vaccaro
- Director of Photography
- Martin Hampton
- Production Designer
- Belle Mundi
- Sound
- Raul Martinez Avila
- Composer
- Andre Williams
- Principal cast
- Alexa Brown, Tom Colley, Don McCorkindale, Rory McCullum, Carrie Jones, Martin Kaps, Paul Kowalski, Julian Lamoral-Roberts
Categories
Production Status
Production Company
Pinball London Ltd
Paula Vaccaro37 Warren Street
London
W1T 6AD
Page updates
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See also
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Uncle Howard
Director: Aaron Brookner
Year: 2016
When Howard Brookner lost his life to AIDS in 1989, the 35-year-old director had completed two feature documentaries and was in post-production on his narrative debut, 'Bloodhounds of Broadway'. Twenty-five years later, his nephew, Aaron, sets out on a quest to find the lost negative of 'Burroughs: The Movie', his uncle's critically-acclaimed portrait of legendary author William S. Burroughs. When Aaron uncovers Howard's extensive archive in Burroughs’ bunker, it not only revives the film for a new generation, but also opens a vibrant window on New York City’s creative culture from the 1970s and ‘80s, and inspires a wide-ranging exploration of his beloved uncle's legacy. Sundance Film Festival 2016 - World premiere
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.