The STDers

Director: Matthew Sunderland

Year: 2002

On the eve of Chinese Dynastical millennium, a score of Triad gangs converge on a warehouse. They all seek to hold, as the clock strikes midnight, an ancient Chinese artefact, which promises to the bearer, at the fateful hour, prosperity for the next 1,000 years. At the centre of this decidedly dangerous situation are two small time crooks who have been unwittingly conned into 'caretaking' the gem until midnight. They have no inkling of the gem's real significance, or why so many sadistic people are determined to possess it... but they're slowly finding out! The film is a twist of British film noir with old style Kung Fu. It is a story of deception and gullibility in the highest degree. We follow John and Jerry through their absurd banter as they twist and turn through the maze of events that unravel before them. In the face of danger...

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.