The Time Before
Synopsis
Official Selection Raindance Film Festival 2025 - World premiere
Official Selection Venice International Film Festival (Biennale Cinema) 2025 - International premiere
Details
- Year
- 2025
- Type of project
- XR / Immersive
- Running time
- 15 min
- Director
-
Leo Metcalf
- Producer
- Leo Metcalf
- Screenwriter
- Leo Metcalf
- Director of Photography
- Leo Metcalf
- Sound
- Harry J N Parsons
- Composer
- V.R. Alevizos
- Principal cast
- Anouk Lawless-Monnot; Simon Chambers; Bean Downes; Leo Metcalf
- Other Lead Creative(s)
- Michael Golembewski (Lead Unity Developer)
Genre
Production Status
Production Company
Leo Metcalf
Flat 16Fellows Court
Weymouth Terrace
London
E2 8LP
Page updates
This page was last updated on 20th January 2026. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
A Time Before
Director: Leo Metcalf
Year: 2024
Olly sifts through his memories searching to understand why he is the way he is. The narrative swings between two contrasting worlds: his memories of his first years, captured by his childhood drawings, and surreal underwater live-action scenes representing his dreams. We witness fragmented memories of a torn family - an abusive father, a mother whose memory seems faded, and a sister, Sally, encouraging her little brother to escape through imagination and dreams. As memory and fantasy blur, The Time Before becomes a meditation on the stories we tell ourselves to survive, and what is lost in the telling. Official Selection Aesthetica Film Festival 2024
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.