The Truth

Director: George Milton

Year: 1998

At the Station Hotel, Jay doesn't like his guests to mix - and with good reason. They are all damaged in some way, always emotionally and sometimes physically. Jay tries not to be judgemental, but sometimes judgement is called for. Tonight he looks on paralysed as they all sit playing a game of cards. Worse than that, they're playing to see who will sleep in Room 207, a room that's not been slept in for 20 years. A room that should stay locked forever. Soon the strangers will learn a little too much about each other's secrets. Nelson, the vicious womaniser. Jonathan, the defrocked priest struggling with the anguish of his past sins. Susie, the beautiful Chinese girl desperate for a reason to live. Arthur, eaten away by thirst for vengeance, each night handcuffing himself to his bed for fear of what he might do. Finally Greta, who came here to write a suicide note which she couldn't finish and with whom Jay is secretly in love. There is hunger in all of them. Talk of hidden money whets a whole new and desperate menu of appetites. Soon everyone is eyeing one another with deep suspicion, only the darkest of which is founded in truth. Deception, paranoia, back stabbing and manipulation of circum-stances become the order of the day. The fractured lives of all the main characters become entangled in a hilarious and terrifying series of events, that escalate throughout the hotel towards an ultimate and brutally violent climax.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.