The Wasp (or The Sheer Beauty of Accepting Yourself)
Synopsis
Official Selection BFI London Film Festival 2025
Details
- Year
- 2025
- Type of project
- Shorts
- Running time
- 13 min 6 sec
- Format
- 16mm, 23:5 scope
- Director
-
Cass Virdee
- Producer
- Dylan Gillah
- Editor
- Suzy Shepard
- Screenwriter
- Tommy Hurst
- Director of Photography
- Catherina Scarpellini
- Production Designer
- Michela Negretto
- Sound
- Sandro Poppkhadze
- Composer
- Håvard Olsen
- Principal cast
- Laurie Kynaston, Kenneth Collard
- Other Lead Creative(s)
- N/A
Categories
Production Status
Production Company
NFTS (National Film and Television School)
Beaconsfield StudiosStation Road
Beaconsfield
HP9 1LG
Sales Company
NFTS (National Film and Television School)
Beaconsfield StudiosStation Road
Beaconsfield
HP9 1LG
Page updates
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See also
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Realness With a Twist
Director: Cass Virdee
Year: 2023
A talented footballer suppresses his secret passion for voguing for fear of his teammates' disapproval.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.