Things of the Aimless Wanderer

Director: Kivu Ruhorahoza

Year: 2019

The Rwandan director Kivu Ruhorahoza decides to film his new movie, 'A Tree Has Fallen', in London. It is to be a stylish drama about Simon, a mysterious Nigerian man (Oris Erhuero), who returns to London to make amends with Anna, his mixed-race lover (Lisa Moorish) and Bruce, Anna’s white ex-husband (Matt Ray Brown). Progressively, this love triangle mirrors the increasing social and racial tensions in Great Britain and Europe. In parallel to his narrative fiction, Kivu documents these tensions by filming a series of rallies in the streets of London. But inevitably, the ‘hostile environment’ immigration policy of the ruling Conservative Party comes back to haunt the reunited lovers and to disrupt Kivu’s filmmaking effort. Sensing that his London stay is coming to a forced end, Kivu attends a far right protest to try and understand the rising xenophobia of the Brits and of his character Bruce. Official Selection IDFA 2019 - IDFA Competition for Feature-Length Documentary - World premiere

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.