This Year's Love

Director: David Kane

Year: 2001

Three young men, all cursed with two left feet, pursue three beautiful women. A mystical cupid-like cab driver, Jimmy, aids the course of true love with words of wisdom for Eddie; lost clues for Fergus and Salsa lessons for Frankie as they embark on a series of adventures against a background of Salsa, Latin and Easy-listening tunes. David Kane's follow-up to his sleeper hit This Year's Love owes its existence to actress Jennifer Ehle. During the making of that film, she dragged Kane along to a salsa class and, to the jiving sounds of Celia Cruz, the late Tito Puente and their Cuban and Colombian companeros, Kane came up with Born Romantic. Produced by Michele Camarda, who worked with Kane on both films, the film revolves around the romantic adventures of six young salsa enthusiasts - including David Morrissey as a musician, Jimi Mistry as an incompetent thief, Olivia Williams as an art restorer and Jane Horrocks as a record shop assistant - who are guided by a cab driver-cum-cupid (Adrian Lester).

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.