Thunderpants

Director: Peter Hewitt

Year: 1998

Pod, Homily and their children Peagreen and Arrietty are the Clocks, a family of Borrowers - tiny 4" people who live under the floorboards of a big house and 'borrow' from the Lenders, the 'human beans' who live upstairs. When Arrietty gets discovered by Pete, the Lender's son, they tentatively become friends. Pete explains that his Great Aunt, whose house they all share, has died and as no-one can find her will, the house is to be demolished by the nasty local lawyer Potter. Pete promises to smuggle the Clocks to his new home when they move. Although deeply suspicious of all 'beans', Pod and Homily realise they must trust Pete. On moving day, Pete packs the Borrowers into the van, but Arrietty and Peagreen accidentally fall out. Lost and disorientated, they manage to return to their old house, only to see Potter stealing Aunt Mary's will, which leaves the house to Pete's family. Arrietty and Peagreen abscond with the will, with Potter and his nephew Exterminator Jeff in hot pursuit. An exciting chase ensues as they attempt to get to the Town Hall before Potter registers the Lender's house for demolition. As the deadline approaches, Potter's fury reaches boiling point and he employs even more nasty tactics. However, Arrietty, Peagreen and a renegade Borrower called Spiller use all their skills in keeping one step ahead of the villains. With some true heroics they ultimately win the house back so the Borrowers and the Lenders can all live happily ever after.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.