To All The Girls I Never Banged: I'm Sorry
Synopsis
Official Selection Slamdance Film Festival 2026 - World premiere
Official Selection Raindance Film Festival 2026 - Best UK Short Film Nominee
Details
- Year
- 2026
- Type of project
- Shorts
- Running time
- 19:32
- Format
- Digital
- Director
-
Harry Plowden
- Producer
- Harry Plowden
- Editor
- Harry Plowden
- Screenwriter
- Harry Plowden
- Director of Photography
- Harry Plowden, Hector Miller
- Production Designer
- Harry Plowden, Beatrice Beaumont
- Sound
- Harry Plowden, Hector Miller
- Principal cast
- Joe Pass, Billy Hinchliff, Thomasin Lawson
- Other Lead Creative(s)
- Beatrice Beaumont, Kalina Pulit
Genre
Categories
Production Status
Production Company
Harry Plowden
Sales Company
Harry Plowden
Page updates
This page was last updated on 19th May 2026. Please let us know if we need to make any amendments or request edit access by clicking below.
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Year: 2023
48 hours in the life of Jonny, a young straight white man clumsily cruising through big city life. Between dates, neighbours and old friends, Jonny’s idea of who he is and who he wants to be are tested. Official Selection Manchester Animation Festival 2023 - Winner Best British Short Official Selection Clermont-Ferrand International Short Film Festival 2024 - Labo Competition
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.