Twisted Sisters

Director: Wolfgang Büld

Year: 2005

Lovesick, the new film from Wolfgang Büld, is a tale of passion, betrayal and deceit. Who can you turn to when you can’t even trust yourself? Michael O’ Ryan and his mother run a hotel in Margate. The locals see him as a bit of an oddball, but still a respected member of the community. His mother is an overbearing, domineering woman who sees nothing but failure in her son. At the hotel, O’Ryan employs a beautiful young housemaid. Julia is on probation and trying to make ends meet while paying for her boyfriend’s nasty habits. Istvan is a Slavic musician/waster, happily attaching himself to Julia. O’ Ryan loves Julia. Julia loves Istvan. Istvan loves Julia. Julia falls in love with O’ Ryan. Julia falls out of love and hates O’ Ryan. O’ Ryan hates Istvan. Istvan hates O’ Ryan. O’ Ryan hates his mother. His mother hates everyone! Murdering old women? Yes. Doping young women? Yes. Stupid, obnoxious tourists? Yes. Running over dogs? No. Killing arrogant musicians? Yes. Blackmailing, double-crossing manipulation? Yes. Plans backfiring? Yes. Skeletons in the closet? Hell yes! Who can you turn to when you can’t even trust yourself?

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.