Untitled Reed Morano (aka First Chair)
Synopsis
Details
- Year
- 2019
- Type of project
- Features
- Director
-
Reed Morano
- Producer
- Alexandra Milchan, Scott Lambert, David Schiff, Phil Hunt, Compton Ross
- Executive Producer
- Hilary Davis, Stephen Kelliher, Patrick Howson
- Screenwriter
- Stuart Blumberg (screenplay), Jennifer Yee (original screenplay)
- Principal cast
- Jeff Bridges, Diane Lane
Genre
Categories
Production Status
Production Company
UK, US coproduction
EMJAG Productions (US), MGMT Entertainment (US), Bankside Films (UK), Head Gear Films (UK)
Bankside Films
Ashley House, 5th Floor12 Great Portland Street
London
W1W 8QN
Head Gear Films
Ashley House, 5th Floor12 Great Portland Street
London
W1W 8QN
Sales Company
Bankside Films (World sales excluding US)
Ashley House, 5th Floor12 Great Portland Street
London
W1W 8QN
CAA, WME (US sales)
2000 Avenue of the StarsLos Angeles
CA 90067
USA
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See also
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The Rhythm Section
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Year: 2018
Stephanie Patrick is on a path of self-destruction after the death of her family in an airplane crash, a flight that she was meant to be on. After discovering that the crash was not an accident, her anger awakens a new sense of purpose and she rises to uncover the truth by adapting the identity of an assassin to track down those responsible. The new, and lethal, Stephanie Patrick is on a mission to fill the void between what she knows and what she is told. First installment in what is conceived as a series based on Mark Burnell’s four ‘Stephanie Patrick’ espionage novels.
About an Intimate Matter
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Year: 2026
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Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.