Viking: The Berserkers

Director: Antony Smith

Year: 2019

Single mother, (Sara) and daughter, (Seren, 17) move into their new home in the rural heartland of Wales to start their new life away from the 100 mile per hour rat race of the city. Sara’s new job means she has to leave Seren on her own for days at a time. This is the ideal opportunity for Seren to explore her sexuality with new boyfriend, (Jake 19). The day arrives where Sara has to go and leave both Seren and Jake alone. Does she leave Seren on her own in the new house or feel safer with Jake being there. As the story unfolds, we understand that the house is haunted by the evil spectre of Kronin, a 6th century Monk who was executed for horrific murders of young and innocent girls. After his execution he was buried in unconsecrated ground to lay in purgatory. His grave is in the grounds of the house. The stone that Jake moved earlier marks the grave of Kronin and had freed his evil spirit... or has it?

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.