Vinyan
Synopsis
Details
- Year
- 2008
- Type of project
- Features
- Running time
- 95 mins
- Format
- 35mm
- Director
-
Fabrice du Welz 1st Feature 2nd Feature
- Producer
- Peter Carlton
- Co-Producer
- Michael Gentile, Dominique Janne
- Executive Producer
- Peter Carlton
- Editor
- Colin Monie
- Screenwriter
- Fabrice du Welz, Olly Blackburn, David Greig
- Director of Photography
- Benoit Debie
- Production Designer
- Arin Pinijvararak
- Sound
- Frederic Meert
- Principal cast
- Emmanuelle Beart, Rufus Sewell
- Financing Agents
- Backup Films
Categories
Production Status
Production Company
Pilchard Productions Ltd
pilchardproduction@mac.com
The Film
5 rue Vernet75008 Paris
France
T +33 1 48 69 73 41
office@thefilm.fr
Sales Company
Wild Bunch (Paris)
99 rue de la Verrerie75004 Paris
France
T +33 1 53 01 50 20
Wild Bunch (London)
231 Portobello RoadLondon W11 1LT
UK
T +44 (0)20 7792 9791
www.wildbunch.biz
Page updates
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See also
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Message from the King
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Year: 2016
Jacob King arrives in Los Angeles from Cape Town looking for his missing younger sister. A stranger in a strange land, he has $600 in his pocket and a return ticket home in seven days. Within twenty-four hours Jacob King knows his sister is dead. This is the story of what happens in the next six days. As he searches for his sister’s killers King’s journey propels him deep into the LA underworld and its intersection with Hollywood high society. His pursuit of revenge will lay bare a network of depravity that stretches from the dive-bars of the gang heartlands to the glitz of the Hills. Official Selection Toronto International Film Festival 2016 - Vanguard - World premiere
About an Intimate Matter
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Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.