Waiting for the 42

Director: Paul Gray

Year: 2017

A coming of age drama set in Edinburgh about the interwoven and unravelling lives of teenage daughter Violet, and her two mothers. When Violet and her adoptive mum Cathy unexpectedly run into Violet’s estranged birth-mum Zoe, the mothers clash. As Violet struggles to navigate this complicated relationship, becoming increasingly confused and angry, Cathy struggles to help her. The meeting also triggers something in Zoe, who decides to change the direction of her life. She returns to Edinburgh, not only a city that holds dark memories of a difficult past for her, but it’s the place where Violet lives. Violet and Zoe reconnect secretly online, but Cathy finds out and brings all communications to an abrupt end. Violet rebels against her and as Zoe self-destructively spirals out of control, Cathy must urgently try to find a way back in to Violet’s life.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.