Welcome To Curiosity
Synopsis
Details
- Year
- 2018
- Type of project
- Features
- Running time
- 94 mins
- Director
-
Ben Pickering
- Producer
- Ben Pickering, Darren Ripley
- Co-Producer
- Anil Mathira, Paul Mears, Vincent Smith, Fransesco Esposti, Dominic Graham, Daniel Luther, Tristan LLoyd-Baker,
- Executive Producer
- Steven Berryman, Nicola Evans
- Editor
- Ricky Milling
- Screenwriter
- Darren Ripley
- Director of Photography
- Bruce Melhuish
- Production Designer
- Hannah Howell
- Composer
- Luke Corradine
- Principal cast
- Amritha Acharia, Cristian Solimeno, Terry Sweeny, Stephen Marcus, Jack Ashton, Richard Blackwood, Kacey Clarke, Brian Croucher, Gary Grant, O'Ar Pali, Finn Corney, Lili Borden
Genre
Categories
Production Status
Production Company
A Shooting Tiger Pictures production in association wiith Taffy Boy Films
Shooting Tiger Pictures
Ben PickeringTaffy Boy Films
Darren RipleyPage updates
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See also
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The Smoke
Director: Ben Pickering
Year: 2014
City lawyer Brad Walker (Matt di'Angelo) is having the worst day of his life. His high-maintenance girlfriend Sasha (Anna Passey) has left him for his so-called friend Tom (Christian Brassington) and to add insult to injury, he's been fired too. On a night out drowning his sorrows with old friend Dean (Jeff Leach), he overhears a conversation between Phil (Darren Ripley) and Ben (Stephen Marcus) - two drug dealers working for small-time gangster Jack (Alan Ford) - that will change his life forever...
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.