Welcome to Leathermill

Director: Russell England

Year: 2015

A group of students from single-sex private schools, spend a night patrolling the eerie grounds of the historic Dhoultham School as part of an initiative with the British Army to provide rich kids with basic military training. As each hour passes the teenagers witness a series of increasingly disturbing, ghostly occurrences. Personal conflicts are magnified and details of the school’s horrific secrets bubble to the surface. The ante is upped by two thieves who have chosen the night to conduct a heist on the school Archive: a vault of priceless historical documents. As the supernatural encounters begin to take a malevolent turn, the students realise they must escape Dhoultham before the night's end... The only problem is they have all been separated; trapped in a labyrinth of ghosts, pistol-packing madmen and a deeper, darker evil.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.