Where the Truth Lies

Director: Atom Egoyan

Year: 2000

Although Atom Egoyan's first adaptation The Sweet Hereafter won the Cannes jury prize and scored two Academy Award nominations, the writer-director was initially uncertain about tackling another novel as the basis of his next film. But when Icon head of development Karen Glasser sent him William Trevor's Felicia's Journey he was won over. "I was struck by the brilliance of the writing, the characters' depth and how many of the themes resonated with me," says Egoyan. The story follows naive Irish teenager Felicia as she treks to Birmingham to find her lover Johnny, but instead encounters the sinister and faintly comic Mr Hilditch. Egoyan, who was born in Cairo and grew up in Canada, brought an outsider's viewpoint to the film's locations, small-town Ireland and the industrial sprawl of the English Midlands. "I felt a responsibility," he says, "that both locations be presented with honesty and accuracy." Egoyan also found working with British and Irish actors a fresh experience. He praised the calibre of the actors who include newcomer Elaine Cassidy as Felicia and Bob Hoskins as Hilditch. Felicia's Journey is firmly stamped with Egoyan's style and preoccupations. The film includes regular Egoyan collaborators such as DoP Paul Sarossy, editor Susan Shipson and composer Mychael Danna, while the director's muse Arsinee Khanjian plays Hilditch's extraordinary mother Gala. The film's structure jumps back and forward in time, incorporating video and film footage, in a way that will be familiar to Egoyan fans. Felicia's Journey was released in the UK in October last year to critical acclaim.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.