Project Detail

Wild Horses

Synopsis

Joan has been housebound with M.E. for most of her teenage years, but now in slow recovery an urge for independence is causing friction with her mother. So when Joan's tutor encourages her to push herself more, she throws caution to the wind and, risking a relapse, leaves the house in search of new experiences. And a horse.
Official Selection Cannes Film Festival 2017 - Cinéfondation Selection - World premiere

Details

Year
2017
Type of project
Shorts
Running time
26 mins 20 secs
Format
Digital
Director
Rory Alexander Stewart
Producer
Rebecca Smith
Editor
Fiona Brands
Director of Photography
Samira Oberberg
Production Designer
Celestria Kimmins
Sound
Michael Roy Johnson
Composer
Segun Akinola
Principal cast
Emma Curtis, Emma Cater, Ainslie Henderson

Genre

Categories

Production Status

Production Company

The National Film and Television School (NFTS)

Beaconsfield Studios
Station Road
Beaconsfield
HP9 1LG

Sales Company

The National Film and Television School (NFTS)

Hemant Sharda
Beaconsfield Studios
Station Road
Beaconsfield
HP9 1LG

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

In the Grass In the Grass

Director: Rory Alexander Stewart

Year: 2016

Detective Wallace, an awkward sleuth suffering a crisis of confidence, finds himself unable to act when the killer he let free takes the life of his partner.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.