Project Detail

Win

Win

Synopsis

Sascha, a young athlete returns to her family home and community following an injury, and confronts her father’s long-term illness.
A film that speaks to rest, decline, and generational yearning.

Details

Year
2025
Type of project
Shorts
Running time
19 min 31 sec
Format
Digital
Director
Steph Tari Odu
Producer
Fawzia Mahmood
Executive Producer
Steph Tari Odu, Sammy Wong
Editor
Romany Rowell, Georgie Daley
Screenwriter
Steph Tari Odu
Director of Photography
Oliver Ford
Production Designer
Dan Da Silva
Sound
Calum Sample
Principal cast
Shaniqua Okwok, J-L.A. Davis, Martins Imhangbe, Ayesha Antoine, Femi Ogunjobi, Azu Crabbe
Other Lead Creative(s)
Costume Designer: Ruka Johnson, Casting Director: Isabella Odoffin, Hair and Make-Up Designer: Viviane Melo
First Assistant Director
Sue King
Colourist
Toby Tomkins

Categories

Production Status

Production Company

Supported by BFI NETWORK

Born By A River

Collective Auction Rooms,
5-7 Buck Street,
London,
NW1 8NJ

Sales Company

Page updates

This page was last updated on 24th January 2026. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

The Language The Language

Director: Steph Tari Odu

Year: 2022

The UK’s Jay Jay Revlon, father of the House of Revlon, and Gorgeous Jayce Gucci, of Barcelona’s Ballroom scene, talk compassion, beauty and truth.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.