Yaa and the Kingdom of Gold

Director: Joel Aryeetey, Tom Ribeiro

Year: 2001

The story deals with the conflict and cross-cultural tension experience between a British educated African man and his black American wife in an African setting. The film revolves around Emma, a black American who grows up in America's deep south. Her dream is to settle in Africa where, she believes, people will not view her with suspicion, but accept her as an integral part of the human race. Kofi Boateng, the husband, is born of African parents having lived in London since the age of sixteen. He is an architect with a multi-national firm. He refuses to go to Africa because he believes the continent is not developed enough to appreciate his talent. By sheer coincidence these two characters meet in a nightclub in London. For Emma it is a dream come true, because of the possibility that one day they could settle in Africa. Whilst Kofi also sees this union as a way of eventually living in America. The story unfolds, ten years into the marriage in London.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.