Projects in categories: Animation

Synopsis

The poet Hafez, also known as the ‘Teller of Secrets’, used the language of human love and the metaphors of wine and drunkenness to describe his desire for the Divine and intoxication with the mysteries of the Universe.

The media usually present a narrow view of Iran. The film gives some insight into the depth and sophistication of Iranian [Persian] culture.
The landscapes and characters in the film are entirely constructed of Persian calligraphy.

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A couple have a rubbish argument.

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A hungry cat resorts to increasingly desperate measures to gain his owners attention.

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This triptych film uses archive industrial and documentary footage to follow the endless chug of the conveyer belt of life. Images of production lines, factories, and educational and creative industries, are sandwiched to illustrate the endless whirr of activity in our pursuit of meaning and happiness.

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With the weather increasingly at the forefront of our news and media together with the idea that someone somewhere has their hand on the volume knob, End of the Street takes the original 19th Century Beaufort Wind Force scale and conjures a response, incrementally turning up the strangeness.

Poet and broadcaster Ian McMillan produced the poetry specially. His interpretation of the wind scale transposes the action into the familiar surroundings of an average street. Imagemaker Andy Martin produces a mix of animated graphics, 3D, live action, photography and typographics all underpinned with a bespoke score by composer Robert Worby.

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A mixed media experiment, transforming sound and music into disquieting visibility.

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A bee gets in the way of a rendition of Rimsky-Korsakov's Flight Of The Bumblebee.

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A series of quick-fix solutions to problems of an emotional nature seen through the prism of immediate home renovation. The film shows how the unspoken takes on form, inflicts injury and is overcome.

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A small town, a growing knot and a girl searching for her identity.

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21st Century Male explores modern day masculinity and juxtaposes this with the question: 'Why is the modern male increasingly suffering domestic violence at the hands of their partners or wives?' We are given a window into one such world to discover the story behind the abuse.

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A diarist searches for flickers of hope in a drama of technical and emotional obsession.

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It’s 200 years in the future and much has changed but one thing remains a constant – crime, and it’s getting a little bizarre.

Boris Goudphater is the first prototype cyborg to be developed by the World Security Network (WSN) to combat crime. The cyborg experiment failed due to a dangerous defect, but Goudphater managed to survive the de-commissioning process and escaped. Horribly disfigured, the evil wide-mouthed Goudphater is very angry and he’s out for revenge. Agent Crush the second prototype cyborg is also somewhat defective, but he’s trying to prove himself as a secret agent. Despite being furnished with all manner of superhero gadgets and hardware, Crush is prone to bumbling accidents and wreaks havoc wherever he goes.

However, in tandem with his creator Spanners and Spanners’ daughter Cassie his latest mission is to stop Goudphater from exploding a nuclear device at the earth’s magma core, which will cause every volcano to erupt, destroying the earth. A spectacular flying car chase through the streets of New York and the underground lava caverns lead to an explosive climax.

Despite his shortcomings, can Agent Crush prove that he really is the only man for the job and save the earth in time?