Projects in categories: Artist Project and Video / Experimental

Synopsis

"and we have killed him" is a visually experimental film, loosely based around "the parable of the man" in "thus spoke zarathustra" by friedrich nietzsche. this film is an exploration of the exploitation of god, and alina (tanya howard) is tired of listening to what others have told her to believe in.

Synopsis

"Because she´s been alone for a long time and there´s no one else, she might as well live on the moon." This film piece is about existence, about being present and in the ´now´ of the moment which the film conveys as it seamlessly glides through various states of day and night.

Synopsis

Two sets of hands attempt to spark a fire through increasingly sophisticated means. A double projection consisting of video and 16mm, artist filmmaker Lucy Parker's FIRE is a response to the performative work of British artist Annabel Nicolson.
Official Selection Toronto International Film Festival 2017 - Wavelengths

Synopsis

Night, columns, fish, rocking-horses, celebrities, a hurdy-gurdy, all are collaged together to make up "Reality".

Synopsis

Jack is on his slow descent into psychosis after being physiologically worn down by the mysterious Entity. The Entity is a culmination of all Jack's dark desires and wants that have built up throughout his life however it is a separate being in itself. Jack has no power in life and eventually gives in to his weaknesses. Depravity, impurity. Jack caves in and enters the dream world offered by The Entity as his personal plane of existence where he is Lord and master. It may have been a beautiful place if it were not twisted by the growing taint within Jack. It is a nightmarish realm of turmoil, suffering and perverted excess. However Jack does not have long to enjoy his new home or explore the powers offered, Jack thinks he has mastered the being known as The Entity but it is all a illusion. While Jack sips on luxurious whiskeys and foods The Entity has breached into the real world and stands over Jack ready to consume his life energies and move on to his next victim.

Synopsis

A homage to the spontaneous prose of The Beats, from the mythical Cornish west.

An audio-visual stream of consciousness. Entirely un-edited, in terms of writing, performance and visuals.

Synopsis

A narrative resistance group makes underground deposits of elaborate porcelain suggested to belong to an entirely fictional civilisation. Their aim is to influence history and support future claims to their vanishing lands.
This film resides in the cross-section between science-fiction, archaeology and Middle Eastern politics. Combining live action, computer generated imagery and historical photographs the film explores the role of myth in history, fact and national identity.
Official Selection Berlinale 2016 - Forum Expanded - World premiere

Synopsis

Artist Jumana Manna sets out in search of the musical diversity of historical Palestine. Drawing on her research into the German-Jewish ethnomusicologist Robert Lachmann (1892-1939) and his work in Palestine, the film follows Manna’s exchanges with musicians as she encounters them in their homes and places of work and worship.
Berlinale 2016 - World premiere

Synopsis

A look into the anxiety of vertigo and a discordance between technology, self and the natural world. Re- appropriated footage is taken from 'Charlie and the Chocolate Factory', accommodating the tone of the volatile character Willy Wonka. As our sensory bodies are plummeted through fictional landscapes with sinister undertones, inducing fear into our fantasy.

Synopsis

In 1983, writer and theologian John Hull went blind. To help make sense of his loss, he began keeping an audio diary. Encompassing dreams, memory and imaginative life 'Notes on Blindness' creates an impression of his new world, immersing the audience in John’s experience of blindness.
A feature-length version of Middleton and Spinney's 2014 Sundance-selected short 'Notes on Blindness'.
Official Selection Sundance Film Festival 2016 - New Frontier - World premiere

Synopsis

This film presents one art form through another; architecture through film. If architecture is the interplay of built form in light and film is the viewing of images through light, can an architectural film present images of wood, light and stone that might shape our religious and spiritual life?

Synopsis

“for the time being” is a collage of moving images made thirty years apart and re-worked into seventeen sections of tentative autobiography. The soundtrack mixes music and environmental sound with conversation, not all of it intelligible. In the scraps that are, the film-maker and his partner talk together about how we document and re-interpret our lives.