Projects in genres: Northern Irish

Synopsis

Frank For Frank Beneventi - an anally retentive twenty-something who nags and fusses over his dad as if they were man and wife - Saltwater is the story of his emancipation. Desperate to rescue his father from the jaws of local loan shark Simple Simon, Frank calls upon internal resources of courage and complete stupidity to pull of an 'armed' heist which changes his life forever. Joe Four years after the death of their mother, Frank's younger brother Joe is still very much grieving. Of the Beneventi children, sixteen-year-old Joe feels his mother's absence the deepest. Bored and unhappy at school, he's easy prey for another lost teen: Damien Fitzgibbon, a destructive and damaged boy with his own demons. Joe is thrilled by Damien's antics. The he stumbles across his new friend having sex with an unconscious girl in a graveyard. Ray Ray, meanwhile, is in love with the boys' older sister Carmel Beneventi. And embroiled in a passionate fling with Debbie, a shapely blonde student with a fondness for knee-high boots. Carmel - and her family - represent a day-to-day reality that Ray's arcane university job never comes close to touching: the Beneventis are a world away from the whiny students and horny academics of his day-job. But it's not until an eminent philosopher arrives at the university and Ray has a run in with one of Debbie's desperate suitors that he has to make some hard choices about where his live is going. And who he's going to take with him. Saltwater is the coming-of-age story of three very different men. Through a robbery, a rape and a really terrible hangover Frank, Joe and Ray learn things about themselves that they probably didn't want to know. And nothing, as they tend to say, will be the same again.

Synopsis

Liam O Mochain's low-budget road movie has all the ingredients that first-time film-makers dream about: Hollywood stars, film prizes and a word-of-mouth buzz that has turned it into an independent Irish hit. O Mochain stars as Vincent Macken who has written what he believes is the best post-modern novel ever about a hero's quest to win the hand of a princess. But when Macken overhears money-grubby literary agents rubbishing his work he decides to re-set his story in contemporary times and shoot it on video. He hires a video-maker and the two set out together across Ireland. Vincent soon believes he has a hit on his hands, heads for the Venice Film Festival, blags a press pass and tries to convince a number of Hollywood stars to come to Ireland and take part in his film. Which is pretty much what O Mochain did to get his film made. He recalls "arriving in Venice with our small crew - me as the director- producer-actor and a camera-sound person. We decided to stay at a campsite as it would be in character with the film. And we had no money. Every day we blagged our way into press conferences, chasing anyone that looked vaguely familiar and getting our celeb cameos. We came home triumphant, having interviewed George Clooney, Kenneth Branagh, Melanie Griffith and Robert De Niro. This was enough to get the cast and crew on a high." The Book That Wrote Itself premiered at Galway in July 1999 and went on to win awards at the Austen and Irish Reels festivals. It was released in Ireland in early August.

Synopsis

When Brendan Met Trudy is a romantic comedy, set in present-day Dublin. Night: Brendan Moore (32), a teacher and movie buff, tenor and loner, lies on a Dublin street, face-down in a puddle. Paraphrasing William Holden at the start of Sunset Boulevard, he invites us to go back with him to 'the day it all started'. Brendan meets Trudy Fortune (28), a Montessori teacher, in a pub. They agree to meet again, for a movie, but Trudy doesn't show up. Brendan goes looking, and finds her. They try again. The relationship brings Brendan to places he's never known - parties, the supermarket, friendship with a Nigerian refugee call Edgar - and the sex is glorious. For the first time in his adult live Brendan is having fun. Then Brendan, fearing that Trudy is a serial castrator doing the rounds of Dublin, finds out that she is actually a burglar. He begins to enjoy her life of crime - and the sex is even better . . .

Synopsis

With three of his novels already adapted into successful films, When Brendan Met Trudy marks Roddy Doyle's first original screenplay. Exhausted by the research that went into his latest novel, A Star Called Henry, Doyle decided to stick to what he knew well and write a script that would not require long hours in libraries or in-depth interviews with historians. The result is a light-hearted romantic drama that pays homage to some of the great classics of the silver screen. Peter McDonald stars as Brendan, a teacher and film buff who escapes the boredom of his job by day-dreaming about the films he adores and singing in the local choir. He meets bohemian eccentric Trudy (Flora Montgomery), a nursery teacher, who introduces him to a new and invigorating way of life. When he discovers that she is really a thief, it adds an extra frisson to their whirlwind relationship but things go awry when Trudy meets Brendan's sister (Pauline McLynne). Trudy dumps Brendan, forcing him to move to get her back. As with his previous films, Doyle set the action in Dublin but was keen that his director, Kieran J Walsh (with whom he had made the short Hell For Leather), and production team showed a different side of the town, one that would reflect the romanticism of the narrative. "I dropped hints in the script on how it should be different from the Barrytown films, The Commitments, The Snapper and The Van. Dublin is a different place than when we did The Commitments. I decided to go for a more middle-class setting because I think that reflects Dublin more now."

Synopsis

The film tells the story, based on true events, of a female journalist who, with little concern for her own safety, took on the bloody force of the Dublin criminal underworld at great cost to herself. The story starts in 1995 with Sinead Hamilton (Joan Allen) already deep into an investigation of the Dublin Mafia. Racing at 100 miles an hour through the Dublin hills, we find Sinead interviewing the notorious armed robber Martin Shaughnessy (Peter Postlethwaite) as his car screeches through the narrow country lanes. Shaughnessy insists that the corruption and degradation of Dublin is due, not to the likes of him - everyday armed robbers - but to the ruthless gangs running the ever growing and vastly profitable drug business. A business that corrupts all that it touches. These are the people that Sinead wants to expose; the drug barons gorging themselves on the city. Soon after the interview is published Shaugnessy is assassinated. At the murder scene Sinead meets Mackey (Patrick Bergin), a local Police Detective. Mackey is the classic cynical cop - tough, angry and tired. Though he knows he's fighting a losing battle investigating these sorts of crimes, there's still just enough of the idealist left, to make him carry on. However, though Sinead and Mackey have the same purpose, their methods could not be more different. So the scene is set. Heavily out-gunned in every respect, Sinead risks everything in her relentless pursuit of the underworld gangsters with only her wit, guile and sheer bravery to protect her. It's an investigation in which she discovers that truth has a cost, and that ultimately someone has to pay . . .

Synopsis

All for Eight Pounds Fifty is a light comedy set in Northern Ireland. The Heroes or villains of the piece decide that robbing a small country petrol station will give them enough money to have a good time. The robbery is a success but the haul is not quite what they expected.

Synopsis

Dublin 1998. An enigmatic, leather clad figure weaves his way through traffic on a powerful motorbike. This is Michael Lynch - thief, bigamist, liar, criminal genius and our hero. Ordinary Decent Criminal is a classic gangster movie, which takes place in modern day Ireland. It follows the extraordinary adventures of an ordinary decent criminal - a man who robs from the rich but lives with the poor. He loves his two wives, sisters Christine and Lisa, his wild kids, his gang and, above all, his special way of life. Michael is a suave, sardonic and sexy man: a criminal who strides the Dublin streets like a colossus. He dreams up robberies with hallmark panache which seldom fail to endear him to the crowd. He challenges authority at every turn, culminating in the ultimate art theft from Dublin's most prestigious art gallery when he outwits the police, Interpol and even the rest of the criminal fraternity. Michael is driven by two fundamental beliefs: be loyal to your own and to hell with the establishment. He succeeds so well that what starts as a laugh evolves into something else. He begins to enjoy the sting more than the cash, and the notoriety most of all. As his ego drives him on, the police, in particular Noel Quigley, become determined to break him. The police close in, increasing their harassment pressure on the whole gang, Michael makes a mistake that could break him, threatening his good name with the public, and his reliability as a bread winner. But he recovers his equilibrium in time to dream up a final grand scheme to dazzle - and survive the trap that has been set for him . . .

Synopsis

The action is set in County Cork, in Southern Ireland in 1920. The film is a portrait of the end of an era, and the demise of a class and a way of life that have survived for centuries. It is also a psychological drama depicting the opposing emotions of love and the longing for freedom; of the lure of complacency and the hunger for change; of 'old ways' against the terrifying prospect of independence, both political and spiritual; above all, it is a portrait of a young woman's coming of age in a brutalised time and place.