The poem Kissing in hats is a villanelle, a verse form where the regular repetition of two key lines gives added urgency to what is being said.
The effect is intensified here by double tracking of the speaker's voice, as a moving path scans a drawing of World War Two lovers kissing in hats
before the men must board their train. This is a new version with the text of the poem on screen.
Set against the backdrop of the turbulent 1960s, Deep Water is the stunning true story of Donald Crowhurst, a free-thinking electronics inventor who enters the most daring nautical race ever, the very first Sunday Times Golden Globe solo, non-stop, round-the-world yacht race.
Crowhurst - driven by a desire to prove to the world that with the help of his revolutionary invention, an on-board computer, one could sail the seas effortlessly - readies his trimaran to set sail by the late summer deadline.
As the race progresses, Crowhurst's reports of his positions at sea put him as the clear leader on elapsed time. Headline after headline is being printed - not just in Britain but across the world. Crowhurst is fast becoming the darling of the media, hailed as a nautical wonder.
But as the world waits on tenterhooks for this extraordinary man to cross the finishing line and sail into port to a hero's welcome, the jaw-dropping truth is revealed.
A decommissioned revolver is brought back into circulation when Adam Campbell purchases it online. When the revolver is stolen it triggers a chain of events that will come back to haunt him.
A solitary woman and a lonely man. Over the years, they have grown apart, unable to talk. In the loneliness of the night, at work, she finds comfort in a mysterious voice, at the other end of a telephone line, a man whose face she'll never see or will she?
From 12th-century China, to 21st-century London, a parable of life.
In Ten Bulls, Kim Bour has taken the Chinese master Kakuan's illustrated fable of the herdsman in search of the elusive bull, and presented it as modern epic of mankind's struggle for understanding.
Trapped by modern life, we sway aimlessly, seeking purpose and true satisfaction. Ten Bulls tracks one man's search for this truth.
Through rich sound design and flowing imagery, Kim Bour leads us through an almost meditative illustration of this timeless quest. Rich and mystical, yet controlled, Ten Bulls melds the harmony of Zen philosophy and film-making: the simplicity that we see all around us - a petal in a stream, a perfect circle - all blend in a modern meditation.
To find, we must seek. The unexamined life is worthless. 'I find the world in me'.
A year after the premature death of his young wife, from cancer, Ben Wright is struggling to come to terms with his loss. On the anniversary of her death, he is visited by a familiar face from the past who helps him to address his predicament.
Three stories in a launderette over one washing cycle. The first is about a bride and a young boy. The second about an unhappy married woman and her daughter. The third about a young couple.
33x Around the Sun follows the wanderings of a man on the nocturnal backstreets of London. It describes a dreamlike search for love that is loosely based on the myth of Orpheus and Eurydice.
Crime, drugs, HIV/AIDS, poor education, inferiority complex, low expectation, poverty, corruption, poor health, and underdevelopment all plague people of African descent globally. Why? Five hundred years from the onset of slavery and subsequent colonialism, Africans are still struggling for basic freedoms. Why?
Filmed in five continents, 500 Years Later examines the collective atrocities that uprooted Africans from their culture and homeland. 500 Years Later is a timeless and compelling journey, infused with the spirit and music of liberation that chronicles the struggle of a people who have fought and continue to fight for the most essential human right – freedom.
Kojo is a taxi driver living and working in Ghana. Sleeping on his break he is awoken by a beautiful young travelling actress called Cynthia. She’s in Ghana for the day and hires Kojo to show her some tourist attractions. The day ends with a sexual encounter and a reluctant promise from Cynthia to invite Kojo to England.
Six months later Kojo arrives on Cynthia’s doorstep in London. Filled with ambitions of making money and fulfilling his dreams of succeeding as a poet, he soon realises that the grass isn’t greener on the other side and people are not what they seem.
The city of London has a beauty about it, but can sometimes be lonely for its inhabitants. Starting at dusk and ending at dawn the next morning, this film explores this idea of loneliness through four different scenarios showing the full gamut of life and death in the city, and exemplifies how indifference can exacerbate this plague of modern times.
Visually expressive and highly emotive, this film, though only five minutes long, works on a scale (visually and emotionally, that is) as big as the city it portrays. It is made using traditional forms of animation, as well as new forms such as computer animation, all skilfully composited together to convey feeling and emotion and life in an intuitive, expressive way.
