Projects in genres: Drama

Synopsis

An unusual love story between a young Glaswegian male carer and an elderly Japanese lady. From their mundane council estate lives blossoms an inspirational exchange of experience, culture and romance, crossing the boundaries of time, place, generations and imaginations.

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The tragic death of a beautiful young girl starts a tense and atmospheric game of cat and mouse between hunter John Moon and the hardened backwater criminals out for his blood.

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Harry Potter has learned to live with his bullying uncle Vernon, his callous aunt Petunia and the constant whining of his greedy, spoiled cousin Dudley. He's even learned to live with sleeping in the cupboard under the stairs. Harry's relatives have just as reluctantly learned to live with the unwelcome presence of their orphaned relation, a constant reminder of Petunia's 'wayward' sister and brother-in-law and their mysterious and untimely demise. Even the impending arrival of his 11th birthday offers no excitement for Harry - as usual, there's little chance of cards, presents or any kind of birthday treat. This year, however, is different. Based on the first of J.K. Rowling's popular children's novels about Harry Potter, telling the story of a boy who learns on his 11th birthday that he is the orphaned son of two powerful wizards and possesses unique magical powers of his own. Invited to attend Hogwarts School of Witchcraft and Wizardry, Harry embarks on the adventure of a lifetime. At Hogwarts, he finds the home and the family he has never had.

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Caught is a dark comedy. Jay visits Rita's photographic studio seeking revenge on an abusive partner.

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An Edwardian gentleman is tormented by spirits who appear through holes in his sitting-room wall paper. The film was fully-funded by the London Production Fund 2001. 'G.M.' was inspired by the work of magician and film pioneer Georges Melies (1861-1938), whose most famous film - 'Le Voyage Dans La Lune' - was exactly one hundred years old in 2001.

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A film about exile and madness, set in a future that shows up the present. A virus has destroyed TV's 'memory files'. Late twentieth century culture has been wiped. A researcher is brought out of retirement to piece together an abandoned project known as The Perimeter Fence whose fragments suggest a bizarre cultural X-File, involving a dubious information broker, working from a Spitalfields basement, who persuades young women to become involved in an image/sound gathering exercise, which is not without danger.

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Filmed on a 16 mm Bolex camera in March 1999 when the director went to Auschwitz to look for documents on his grandmother who was gassed there.

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Baby: documenting the sensual overload of a visit to the local swimming pool viewed through the eyes of a sexually-charged teenager.

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Billy Elliot is a coming-of-age story of Billy, who through his unexpected love of dance, embarks on a journey to self-discovery in the world of picket lines, cultural stereotypes, family crises and a headstrong ballet teacher. When eleven-year-old Billy stumbles across a local ballet class that comes to share the village hall with his boxing club, something in the magic of the movements captures his imagination. Meanwhile, Billy's father and older brother, both on strike, struggle to put food on the table and finally explode when they discover Billy has been squandering his boxing money on less than manly pursuits. Billy's ballet teacher eventually persuades him to accept free private training, telling him she wants him to audition for the Ballet School, but when the audition comes Billy is tragically forced to miss it as a result of his brother's scuffle with the police. Distraught by his family's lack of understanding, Billy unleashes his feelings in a dance meant only for his friend Michael to see, but is caught mid-routine by his father. Rooted to the spot by the power and animation of his son's talent, he solemnly agrees to ensure Billy finally makes it to London for the gruelling audition.

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A young man lies motionless in a country lane. He relives events in his mind, and all becomes clear.

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Three young men, all cursed with two left feet, pursue three beautiful women. A mystical cupid-like cab driver, Jimmy, aids the course of true love with words of wisdom for Eddie; lost clues for Fergus and Salsa lessons for Frankie as they embark on a series of adventures against a background of Salsa, Latin and Easy-listening tunes. David Kane's follow-up to his sleeper hit This Year's Love owes its existence to actress Jennifer Ehle. During the making of that film, she dragged Kane along to a salsa class and, to the jiving sounds of Celia Cruz, the late Tito Puente and their Cuban and Colombian companeros, Kane came up with Born Romantic. Produced by Michele Camarda, who worked with Kane on both films, the film revolves around the romantic adventures of six young salsa enthusiasts - including David Morrissey as a musician, Jimi Mistry as an incompetent thief, Olivia Williams as an art restorer and Jane Horrocks as a record shop assistant - who are guided by a cab driver-cum-cupid (Adrian Lester).

Synopsis

The story centres on Bridget, a 30-something 'singleton', convinced that everyone is getting it right except for her. Her ambitions are few - she would like to lose weight and find true love - but seemingly unattainable. Her romantic life is in a state of perpetual crisis. While her friends Jude, Sharon and Tom provide her with hopeless advice, Bridget finds herself torn between two men, her charming, sexy, but dangerous boss Daniel Cleaver and Mark Darcy an old family friend, who seems at first to be aloof and dull, until his true self is revealed. Bridget's unsuccessful attempts to control her chaotic life and to develop inner poise are charted by her hilarious and sometimes poignant diary entries.