Nevada is the psychological portrait of two lovers who've grown to hate one another. Drawing inspiration from aspects of Marilyn Monroe and Arthur Miller’s fated marriage, the film is a contemporary experimental study of the journey between sensitivity and war. Commissioned and featuring music by LAU.
An experimental response to the epic contemporary composition, Prometheus, written by Brian Ferneyhough. Commissioned by The Royal Philharmonic Society as part of their Encore scheme. The film is an intimate physical portrait of two male boxers, and explores themes to do with provocation, endurance, saturation and repetition.
The Making of Us is the latest collaboration between theatre director Graham Eatough and visual artist Graham Fagen. It combines live performance and installation into a drama about how far we’ll go to get on in the world. The central character Jonathan begins the story as a spectator, is persuaded to become its central actor, and ends up its victim. The Making of Us explores its themes of theatricality and authority through a mixture of cinematic and documentary techniques with a leading cast of Scottish actors and renowned DoP Michael McDonough.
The sequencing of colour and sound for Twice Over followed a pattern based on progressions across the scale of colours and tones. An element of chance was introduced by re-filming a second variation, overlaying it with the first sequence. In the gap between layers, aleatory colours and tone combinations arise.
Action sequences taken from three cinema films are turned into a semi-abstract experience in which the world is literally turned on its side. Material was taken from DVD’s purchased recently from charity shops in London, a further example of appropriating dominant cinema as a canvas for video art.
David in a state of cocaine binge, believes that he has arranged a casual ‘hook-up’, only to realise that things are not as they seem when the stranger arrives… An experimental film that travels freely between past and present, and reality and illusion, raising questions about sexuality, religion and mortality.
'Benny Loves Killing' is the story of a young student, Benny, making her horror film, her way. She flies in the face of everyone around her, jeopardising everything she has organised, and allowing her life to spiral out of control. But will she wake up to the horror in her own life?
A magical trip into the English countryside, where a lost soul is helped to find his way home by a friendly snail. Featuring Aidan Gillen (The Wire/Game of Thrones) and the voice of legendary folk singer Shirley Collins, as well as a soundtrack by cult Icelandic rockers Sigur Ros.
Savage Witches is a playful, poetic and experimental film about two teenage girls who want nothing but to play games, dress up and have adventures, but when they find themselves in conflict with the world around them they set out to transform it and break free! The film attempts to satisfy all their wishes for freedom. They are aided by a magic key, which unlocks the film allowing process to mix with its creation, artifice and reality to intermingle. But when Gretchen and Margarita are confronted with reality, it becomes clear that there is a vast gap between what they say they want and what they really want. Once the game has been set in motion they are swept along by the film’s momentum and must see it through to the end.
Savage Witches is a colourful collage of sounds and images that has been created using all manner of processes and formats from VHS and Super 8 to drawn animation and hand-coloured frames, resulting in a bold and expressionistic exploration of the art of cinema.
Part of Valtari Mystery Film Experiment
Enter Earth – become trapped in endless cycles of creation and destruction. Then look up and rise to the sun as everything turns to dust below. Then cycle begins again. Explores intimate macro terrains in a dialogue with the contractions and expansions in Fjögur Píanó.
SLEEP is a short film which observes the everyday, humdrum routine of a young girl coupled with a scientific, dry and factual narration regarding aspects of sleep.
Sleep affects every moment of our daily and nightly life; and yet, half the time we aren’t aware of this.
An observation, investigation and social record of the lives and thoughts of ten residents of the Golden Lane Estate, London. Built in the late 1950s by Chamberlin, Powell and Bon, the Golden Lane estate exemplifies an utopian ideal of social housing. This film documents the life of the complex over half a century since its construction and asks questions about domestic and private space and of making a home in such an iconic and distinctive architectural environment.
