Three days in the life of four friends after which there's no going back. That moment in your life when everything changes forever.
Liza (Kat Redstone) hovers precariously between change and self-destruction, between leaving her doomed relationship with girlfriend Sally and finding success with their band, Blanket. Sally (Sophie Anderson) works nights in a dead end job, clings to her fantasies of a better life and ignores the chaos all around her. Vin (Kai Brandon Ly) works as a rent boy, is secretly in love with Sally and in denial about everything else. Jamie (Collin Clay Chace) works nights in a gay cabaret bar, but longs to break free of his friends and their drug-infested dramas and settle down with a nice man.
In the three days leading up to Liza's 25th birthday things finally come to a head between Liza and Sally. After a failed birthday dinner the four friends are plunged into emotional meltdown at an illegal rave and by the end of the night there’s no going back to how things were.
Economic times are tough, but Scottish business visionary Shona Campbell has an answer.
Shona candidly relates the meteoric rise of her company, Circularity Thinking, and unveils the methodology behind their new business model, Thinking Inside The Circle.
Extraordinary hula hooping combines with glossy corporate locations into a riotous business manifesto.
In a world where bogeymen roam freely, devouring people randomly and the only creatures they fear are dogs, old dog does her best to defend the family home.
On September 17th 2010 Pope Benedict came to London, he was met by Catholic well-wishers and protestors alike. Who would want to protest the Pope and why? Candid reactions from Christians (Catholics & Protestants) to the papal visit. Filmed under Act of Settlement 1700.
A female gure tells us the possible journeys of gures in this gothic space, playing all the parts of girl, bride, woman.
A dress is stolen, returned, rebuffed. A dialogue of rising and falling, returning and escape.
This is Not Jane.
The film depicts one of the world's most notoriously private artist, Lucian Freud. At the core of the film is a sequence that sees Freud and dancer, Amy Hollingsworth in a dance of reminiscence; as though she is a memory of the remarkable characters that have passed through the studio.
The Conundrum being, Do I live life my way or do I live life their way? The start of a new dawn finds David Yohannes Reeves asking himself this very question. It is a situation that requires some thought.
Day to day life often thrusts us into precarious positions; that is confrontations with unpleasant despicable people, encountering behaviour that is selfish or deliberately harmful. No matter how seemingly inconsequential and trivial this negative act is, it should be responded too. Surely? But then again, probably not. Is it really worth exacerbating this awkward and possibly stressful situation further that it might escalate into full-blown violence? Again, probably not. But never to act to correct what is wrong? Is that right too? This is the conundrum. The film is the statement.
Be concerned; be concerned by a man wearing fucking antlers.
While cerebral palsy confines Alan Martin to a wheelchair and inhibits his speech, he refuses to limit himself. When he gains access to technology that enables him to find a voice, his life is transformed.
Emptiness is wistfully transformed in 99 Clerkenwekll road as the remnants of an empty shop provide the makings of an abstract light-film cum toy-solar-system.
Newly homeless, Gracie is about to commit suicide. But at the last moment, as she hovers over the railings of Waterloo Bridge, a young woman, Ellie, runs onto the bridge. She begs Gracie to help her escape from a pursuer who’s just yards behind. Shocked out of her dark purpose, Gracie helps Ellie, and they escape. Walking the empty streets, Gracie thinks the threat is past and a tentative relationship begins between the girls. But as she finds out more about Ellie, Gracie realises just how vulnerable they still are.
