Short experimental video, featuring three sculptures by David Salkeld Shot at the North shields triangle, a regenerated residential triangle of old ship yard housing at Newcastle upon Tyne, intermixed with shots of the surrounding Tyne mouth area. To a sound track by the director Michael Salkeld to create an audio visual poem.
On his sixth birthday Robert receives three beautiful old ladies in his mother's sitting room. Through his eyes we visit the memory of an afternoon: gifts scuttle across the floor, strange visions appear between knobbly knees, and the bird-like ladies tell a magical tale of an emperor with no skin.
Twinkletoes is Gerry’s pet, although he’s not real he is an intricate part of the routines and rituals that make up her daily life and has more than a few surprises up his furry sleeve.
Unravelling is the result of a unique film-making process.
Internationally acclaimed Nitin Sawhney composed a new score in response to an original inter-generational poetic dialogue in Urdu between Sawarn Singh, a WWII Indian soldier who fought for the British in Burma, the Middle East and Africa and his grandson, Kuldip Powar. Working with this haunting score Powar directed an evocative and searching film.
The faces of class, wealth, history and the tensions between individualism and conformity in British society are explored in this visual journey from East to West London. Consisting of almost 3600 images of the city's residences taken in 2009 and 2010, the film records Callum's daily journey from his home in Clapton (E5) to the Royal College of Art in Kensington (SW7).
Mary and Shelly used to be neighbours until Shelly and her husband moved away. One day they bump into each other in the street and promise to arrange to catch up over some tea. That day comes sooner than expected as Mary has something she just has to get off her chest. But when it comes down to it, she wonders if she’s doing the right thing. After all, they were never best friends and Mary wouldn’t classify Shelly as being an old-fashioned romantic, like herself. Shelly thinks it’s a great idea that Mary’s coming over. That way she can put aside her own troubles and concentrate on Mary for a little while - but can she?
Trapped and confused, one man is made to come face to face with the consequence of his actions. Through a series of haunting visions, fragments of that fatal night begin to piece to together and he is soon forced to realise the destructive nature of his obsession.
A Trace of Her was made as part of the UK Film Council's Digital Shorts Scheme.
Pro Agri is a record of a tobacco processing plant near Città di Castello in Umbria, central italy. The building was filmed in time-lapse, at a rate of one frame every twelve seconds, from one hour before sunset to one hour afterwards.
A female form's mantra broken, showing itself in missing text and revealing less (or more) than intended. The filmic vocubulary of the 'reveal' is employed by both maker and subject, both an exploiter and protector of themselves.
No words are spoken, but they are stated, through words and body semiotics.
