An animated extravaganza of plastic collected from beaches, roadsides, attics and junk shops. This is an elegy to a love affair that has gone sour, a fond farewell to that most beautiful material that has enslaved our planet – plastic.
Part erotic lyric video, part theme park from hell.
The film is essentially a lyric video that tells the tale of a traumatic event through the use of text, animation and sound. The film includes various overwhelming surreal, hyper-saturated environments, beginning with a cliched CGI animation of a flower opening against a perfectly kitsch blue sky. The world then morphs into a hand-shaped planet that in some way resembles a Theme Park. Debunking the white middle-class American family, the amusement park becomes a place of hell. Sounds are amplified and screams of excitements are modified to become screams of pain. With a nod to the excess of meme culture, additional muffled, tinny sounds of Instagram clips play throughout the background on a continual loop, beginning and ending abruptly, resembling the longevity of a ten-second Instagram story. Within the film there is a prevalent sense of slippage, the text begins to get lost as you get distracted by the alluring campiness of the background visuals. Due to this fleeting time with the text, the reader ends up constructing the already written tale themselves, creating their own constructed translation of an already fractured story. The text itself is a mix of erotic and confessional writing, discussing the complexity that is inherent in a gay man's lust. Conjoining sexual fantasy with the prospect of failure, the text flips between the distinctions of reality and the delusion of erotic imagination. Containing themes of anger, desire and trauma, the text is both fictional and autobiographical.
Does school prepare you for adult life? Does hardship build character? A personal and unconventional documentary about a teacher who left deep scars on the psyche of his former pupils.
Past time, suspended time. Macro vision serves as a tool to experience what has long been known. Perceptual tension between the in and out of focus, between enquiry and observation, abstraction and representation persuade the body to look and experience more intently. At once disturbing and nostalgic, the soundtrack lures the viewer into a claustrophobic and apocalyptic space as we have to find new ways of being with the world. Filmed and recorded during the Covid-19 lockdown in Waterlow Park, London and Guilden Morden, Cambridgeshire.
..and sharing is caring, two neighbours' motto and habit of sharing, being there for each other continues during the global pandemic with a dancy bucket. I want to question our vision of care and screendance as means of sharing kinestethic experiences and perspectives.
A modern satire on aristocracy, competition and extinction, drawn from a sixteenth century musical curiosity about a king killing for sport.
British vocal ensemble I Fagiolini sings Janequin’s La chasse (1537), complete with hunting sound effects, and plays a royal family determined to reign supreme.
Rena attends a speed dating event where she meets an array of daters all with the same objective, to find a connection. Rena questions whether love and technology are a stairway to heaven or a marriage made in hell. Commissioned by BBC Arts New Creatives and Screen South.
Based on a true story, HERMIT is a film poem which follows a man without a home and who has no desire for one. Afraid of permanency, he lives in a nightmare of endless transition, going aimlessly from job to job. HERMIT questions contemporary notions of belonging in a temporary and unsettled world, taking us on a journey through the fears of this strangely detached existence.
