A young filmmaker questions how he connects to his emotions, by talking to a stranger online who can’t feel any. This stranger (Robert) suffers from 'Alexithymia', which is a condition most simply described as ‘Emotional Blindness’, it’s the inability to identify and describe emotions in the self.
Drawn in red wax pencil and charcoal, following the conflict between John and the bothersome beetles that show up everywhere. Eventually John decides he needs to get rid of the pests, but it isn't easy with the medication he's on.
Juxtaposing images of the production sites of the pharmaceutical-chemical industry with speculations on the historical, social, and material conditions of Cyanotype photography, in this piece artist Kerstin Schroedinger probes into the (gendered) politics of materiality and the (violent) historicities of its form.
The film follows a figure that proceeds through the stages of exposing and developing a Cyanotype. They revisit sites in Seveso, Italy, and Basel, Switzerland that both relate directly to the history of Prussian Blue, a blue synthetic dye.
Official Selection Berlinale 2018 - Forum Expanded Exhibition - "A Mechanism Capable of Changing Itself" - Group exhibition at Akademie der Künste, Hanseatenweg
A short, animated film about the interior of an 'iceberg' home (a home where the sub-ground levels are larger than the house above). The iceberg home in question was not developed due to hundreds of objections from surrounding neighbours in Knightsbridge, West London.
CONSTRUCTION LINES shows this iceberg home rendered as a 3D model, using the original architectural plans and the software ‘Sketchup’. The narrative of the film, the model of the home, and the scenes played out within it, are informed by the objections filed against the planning application, as well as online articles speculating about the lives and lifestyles of the super-rich.
Official Selection at Aesthetica Short Film Festival 2017 - World premiere
Official Selection Hamburg International Short Film Festival 2018 - Deframed Competition - International premiere
Acclaimed visual artist Jon Rafman presents a nightmare vision of a disturbing a computer-generated world.
Official Selection BFI London Film Festival 2017 - Cult Strand
Personal moments are lost in film cuttings or disappear into a coloured fog only to suddenly reappear in new constellation. This is the visual richness of Highview: four, partially overlapping, 16mm images that fully coalesce into a colourful abstract painting but also create a narrative as an exploded montage. (Rotterdam International Film Festival brochure)
Official Selection BFI London Film Festival 2017 - Experimenta Strand
The filmmaker asks her ten year old son, Harvey, about his arsenal of weapons, many of which are intended for other use; the handle of a back brush, juggling batons, and a plastic cricket stump. Despite his enthusiasm for maiming and killing, Harvey has no idea why we have wars.
Original footage was taken from the internet, reprocessed into vertical stripes with three frame blocks of positive black & white alternating with high contrast negative.
These dance spotlights were part of the International Lindy Hop Competition held in Washington, D.C in 2013.
A hybrid form of landscape cinema capturing the year of an unnamed hollow way that forms the stream bed for several springs in a remote area of rural mid-Devon, Britain, the film takes time to notice the human and non-human traces of change along the sunken lane.
The shadows of screams climb beyond the hills. It has happened before. But this will be the last time. The last few sense it, withdrawing deep into the forest. They cry out into the black, as the shadows pass away, into the ground.
