An intimate view of the studio of American composer Laurie Spiegel (born 1945). Known for her electronic-music compositions and her algorithmic composition software, the film also reveals all manner of music and technology paraphernalia, from music scores to DIY inventions and quirky toy collections. The soundtrack features electronic music composed by Spiegel, with her voiceover musing on electronic music and the compositional process.
An animated film exploring the fleeting delusional love between Titania and Bottom. There is no story, no time and no roles: only raw emotions and sensations.
The film is made with charcoal on paper, with a series of drawings constantly erased and retraced.
Referring to the printing-press and Derrida’s concept of erasure from his book 'Of Grammatology' the monologue was written, and voiced, by Gayatri Spivak, translator of 'Of Grammatology'.
The film features a petroglyph of a car at ‘Writing-on Stone’ or Áísínai'pi in the language of the Blackfoot nation means “it is pictured”.
In the marital bed the surreal sensuality enveloping Othello and Desdemona is disturbed by a dangling telephone. As the phone pours poison into Othello’s mind he transforms into a different entity with detrimental consequences for Desdemona. Digitally drawn animation with juxtaposed shots of live action.
A portrait-of-a-person-style piece exploring themes of the fluidity of identity, gender and beauty. The film follows a night in the life of a drag queen by the name of Silver Studded Blue, who is inspired by butterflies and the metamorphosis they go through.
An anxious young girl makes her way through Brixton market. Memory and fantasy slowly weave themselves into the chaotic street scene, engulfing her into a sinister world of talking fish, weeping sunflowers and a suspiciously haunting grin.
Adaptation of Salvador Dalí's artform and an amalgamation with Rabindranath Tagore's short story 'The Wife's Letter'.
The protagonist, named X is the personified variable in Mathematics who is suffering from schizophrenia and hence, his personality is not constant and varies. In this story, a LEAF has been considered to be a constant and X must be equal to that LEAF in order to validate language. This is an attempt to prove that Mathematics does not constitute emotions, sentiments and is comprising mere calculations; however, one's life cannot be completely manipulated.
The protagonist travels through three worlds to discover himself trying to equate himself to the LEAF.
Over a lilting soundtrack, characters wander through London's concrete jungle as an unknown female voice reflects on the current state of the city and her imagined future.
This video contrasts the moving and the still image. A sequence was taken from the iconic film 'L'Avventura' made in 1960 by Michelangelo Antonioni with Monica Vitti. The soundtrack is a train trundling at night through the Carpathian mountains towards Bucharest.
Uncovering the veiled world of a Siberian Arctic mining city and how an unstoppable, unconditional passion for industrial wastelands makes its people blind to the threatening reality they face.
A single, steady shot records the rising tide in the evening. Using sound and text, the film invites you to think and experience beyond the boundaries of the frame.
