Fifteen–year-old John Cleaver is dangerous, and he knows it. He’s obsessed with serial killers, but really doesn’t want to become one. Terrible impulses constantly tempt him, so for his own sake, and the safety of those around, he lives by rigid rules to keep himself “good” and “normal”.
However when a real monster shows up in his Midwestern hometown he has to let his dark side out in order to stop it – but without his rules to keep him in check, he might be more dangerous than the monster he’s trying to kill.
Official Selection BFI London Film Festival 2016 - Cult Strand
Tehran, 1988. Shideh lives amid the chaos of the Iran-Iraq war. Accused of subversion and blacklisted from medical college, she is in a state of malaise. Furthermore, her husband is at war, leaving her alone to protect their young daughter, Dorsa. Shortly after a missile hits their apartment building but fails to explode, Dorsa falls ill and her behaviour becomes increasingly disturbed. Searching for answers, Shideh learns from a superstitious neighbour that the cursed, unexploded missile might have brought in djinns - malevolent spirits that travel on the wind. Convinced that a supernatural force within the building is attempting to possess Dorsa, Shideh finds she has no choice but to confront it if she is to save her daughter.
After her young son is killed in a tragic accident, a woman learns of a ritual which will bring him back to say goodbye, but when she disobeys a sacred warning, she upsets the balance between life and death.
ALREADY DEAD is a short documentary about recovering zombies. Fifteen years after a zombie outbreak (ZE Day) Zombies live among us, working 9-5 jobs, holidaying in Barbados and living "life" to the fullest. But have we truly come to accept Zombies?
"and we have killed him" is a visually experimental film, loosely based around "the parable of the man" in "thus spoke zarathustra" by friedrich nietzsche. this film is an exploration of the exploitation of god, and alina (tanya howard) is tired of listening to what others have told her to believe in.
DICKGIRL 3D(X) is the non-binary version of EVA v3.0, an avatar purchased online and appropriated by the artist. Through the experience of 'DICKGIRL 3D(X), the viewer becomes a post-human pleasure-seeker in an encounter with a submissive clay-like sculpture.
A powerful business executive returns home to his family and their lavish lakehouse for the weekend. Within hours of his return a cataclysmic ‘event’ takes place out there in the landscape. The world beyond their garden is now deserted. The skies above them – threatening and toxic.
Dylan’s nightmares are becoming more real. He’s got to get away or he might not wake up. Jenny is all he lives for and he’ll do anything for them to escape.
Jack is on his slow descent into psychosis after being physiologically worn down by the mysterious Entity. The Entity is a culmination of all Jack's dark desires and wants that have built up throughout his life however it is a separate being in itself. Jack has no power in life and eventually gives in to his weaknesses. Depravity, impurity. Jack caves in and enters the dream world offered by The Entity as his personal plane of existence where he is Lord and master. It may have been a beautiful place if it were not twisted by the growing taint within Jack. It is a nightmarish realm of turmoil, suffering and perverted excess. However Jack does not have long to enjoy his new home or explore the powers offered, Jack thinks he has mastered the being known as The Entity but it is all a illusion. While Jack sips on luxurious whiskeys and foods The Entity has breached into the real world and stands over Jack ready to consume his life energies and move on to his next victim.
A narrative resistance group makes underground deposits of elaborate porcelain suggested to belong to an entirely fictional civilisation. Their aim is to influence history and support future claims to their vanishing lands.
This film resides in the cross-section between science-fiction, archaeology and Middle Eastern politics. Combining live action, computer generated imagery and historical photographs the film explores the role of myth in history, fact and national identity.
Official Selection Berlinale 2016 - Forum Expanded - World premiere
A signal from the other side of the universe is received by a hive-like society. Two scientists, Cane and Eva, are chosen to leave their Home planet and journey many light years to find and colonize the distant world that sent this transmission. As their telepathic connection to Home weakens, they begin to question the morality of the mission and the very meaning of their own existence in the isolation of deep space.
Boston Science Fiction Festival 2016 - World premiere
