In the summer of 2004, on a car journey in Eastern Europe, Pavla Fleischer met and fell in love with Eugene Hutz, lead singer of New York's Gypsy Punk band Gogol Bordello. Captivated by his energy and his musical verve, and desperate to get to know him better, she decided to make a film about him.
The Pied Piper of Hutzovina follows Eugene and Pavla on their subsequent road trip through Eugene's home country, Ukraine.
It is the story of two people traveling together on two very different courses. Her aim is to rediscover a forgotten romance; his is to rediscover his roots. She hopes to find love on the road; he hopes to find musical inspiration from the gypsy culture he is determined to preserve. This is an intimate portrait of a filmmaker with a passion for
her subject, and a punk musician with a longing to revisit his past. Theirs is a journey which tests their relationship and challenges their perceptions of the music they both love.
There Will Be Something Later explores the dreams, obsessions and disfunctional relationships of seven characters. Some are friends, some family, some, neighbours. Some hold secret feelings of love or compassion for one another and all of them want to win the local talent contest.
On a Friday night in London, Alec, an enigmatic homeless man, sits across the street from a black-tie party at a posh hotel. A chance occurrence gives Alec the opportunity to enter this high society gathering, where the layers of his personality and his past are revealed to an unsuspecting audience.
A walking/musical journey into the heart of the environmental crisis.
This documentary traces the footsteps of folk band Nimomashtic as they walk 900 miles around the UK , quite literally from gig to gig in their bid to inspire others to make a difference in their everyday lifes to help the environment.
The setting is the London Underground. The film passes through real places and transforms in and out abstract shapes and forms. The music and the images are presented as equal elements in balance and harmony with each other. The film was created using a unique production process with the director/animator also working as the score composer. The images were designed as a reaction to the music.
Harmony and chaos meet in a mechanism of rythms and lights. The birth and death of a surreal environment in which familiar game-like rules drive the action's tightly synchronised evolution. A single oscillating dot becomes an abstract musical machine which plays itself using glowing orbs before exploding into particles which collapse together as the cycle completes.
As the world sleeps, a man dreams and his dream-spirit explores the winding streets of a slumbering watery town. He travels as a ball of light and sees hints and suggestions of a woman who evades him. She appears variously as a shadow, a footprint or the reflection of a face just turning away. Whether she is living or dead is unclear. As night slowly recedes and nature covers the traces of past loves, they come together in a final meeting and fade away forever.
In a bewitching musical drama Tina longs for what she can't have. A chopper magically appears and a whirlwind of colourful musical scenes unfolds, involving a furious mother, dancing neighbours and clowning policeman.
An experimental short film that explores the theme of childhood and lost innocence. The imagery - based around the fairground carousel - evokes a fairytale and dreamlike yet sinister atmosphere that belies the decorative classical score.
