Tootega is a witch who ekes out an isolated existence on an iceberg adrift in the ocean. It's a miserable lot, and in Tootega's case, misery hates company! Derek is a merman – more fish than man really – who spends his days joyously rollicking around the ocean, oblivious to the fact that his dreadful singing is the very reason he remains friendless.
This is the story of what happens when these two unlikely characters come together, as Derek begins to unlock the painful secret Tootega has kept hidden for a long, long time…
A stop-motion sci-fi action thriller about squirrel apartheid. When a lone renegade grey squirrel and a hunted acorn find themselves trapped on a hostile and mysterious red squirrel island, they uncover a horrifying plot that threatens their future…can they survive Squirrel Island?
A family of Irish Travellers come to England to find work. Joining their uncle in his driveway business they surf soup kitchens to pick up homeless men. Enslaved and forced to work, with little food and no money there's little chance of escape until a young newcomer arrives.
A film about the women who confounded ideas of what was appropriate or expected, and got involved in science in Victorian England. This is the story of Vanessa Kentworth and the rain.
Based on true events and the work of the British Rainfall Organisation.
Based on a true story. 11 year old Urban’s been running away from care since he was five, (six care home and eight foster homes in six years). He’s Britain’s most runaway child... When he can’t find his mum, he sleeps rough on the streets, or in a shed with other runaways 'The Shed Crew’. He’s never known a dad, just his mentally ill, addict mum, Greta. So when she meets Chop, the first decent bloke they’ve ever known, Urban feels hope for the first time.
For Chop, the once idealistic ex-social worker, it’s a chance of redemption. He takes the broken family in, helps Greta, teaches Urban and his brother Frank lessons in life. But the family’s new found happiness is all too fleeting as Greta’s propensity to self-destruct proves too strog, leaving Urban to cope with the fallout the only way he knows how…
A moving documentary that explores contemporary Northern Ireland, through the lives of four men living in the aftermath of violent conflict; a story about reimagined identity of place and the fragility of masculinity.
Contextualised by the country's past the film is firmly rooted in Northern Ireland today, as a population struggles to come to terms with the horrors and the sacrifices of its past and the men turn to face a future defined by their hopes, rather than regret.
Filmed over a year with the men in and around their homes, the filmmakers focussed on the stories that took place long after the news cameras had left the story that was Northern Ireland.
Thirty years of violence came to an end in a 1998 peace deal, and the door on almost relentless media interest also closed. But the lives of those affected indirectly or otherwise by the so-called ‘Troubles’ continued…
In a society where masculinity has long been measured in violence and aggression, what happens to the identities of men when the Troubles end and the roles previously held are no longer accepted or needed?
The woman in the yellow hat and the guy in the purple jumper might just be soulmates, but will they talk to each other or will they leave that crowded tube carriage never knowing what might have been….
In their debut documentary Christine Molloy and Joe Lawlor take as their point of departure the compelling 18th Century figure, Ambrose O’Higgins - father of Bernardo O’Higgins, the first leader of Independent Chile - and attempt to retrace his remarkable journey from Ireland to Chile. Having long dreamt of making a biopic of O’Higgins, this wayward and wry documentary is the filmmakers’ attempt to realise this dream through a personal voyage into the idea of the cinematic location. However, as they speculate on the idea of place and what O’Higgins embodies, the filmmakers continually get sidetracked by a competing story of immigration and displacement. A story that began with a newspaper cutting from 1937, concerning an 11 month old baby who travelled unaccompanied, by ship, across the Atlantic from New York to Cobh. Gradually, and not without humour, these intertwining narratives uncover ideas about the transformative powers of travelling, as looked at through the peculiar prism of the Irish experience.
Lucy and Johanna are on their honeymoon. Johanna is partially, and Lucy profoundly, Deaf. A seemingly insignificant disagreement about the demeanor of the landlady, silently turns into a hurtful argument, as the noise of the weir dominates the background.
A film exploring what can be seen and what can not, how scientists imagine their work and how they describe it.
The film is based on the work undertaken in Dr Serge Mostowy’s laboratory on septin assembly in cells, using a zebrafish model. Lab members describe the intricate sub-cellular septin dynamics and structure. Their explanatory drawings, and discussion between scientists and filmmaker about how they see the research, are incorporated into the animation.
Routes Jukebox: The Documentary’, tells the story of the ever-evolving Liverpool music scene since the 1940s and its influences and connection with other music cities such as New York, Detroit, Nashville and Kingston. From the influx of Gaelic sounds and rhythms that came to the city with the mass Irish migration to the importing of Rock N Roll records from the United States via the historic Cunard line to the rise of Merseybeat, Punk and House Music, ’Routes Jukebox’ touches on the various social and cultural factors that led to the creation of such an prolific and enduring music scene. Additionally, the documentary touches on the stories of the oft-forgotten links between Liverpool music and Motown and Reggae.
