Sourced from content from the Great North Run film archive, concentrating on the audience rather than the runner. Frame layers are arranged across the screen in the direction of the natural panning of the original shots, revealing a unique panoramic view of the content.
Anna is suffering from Alzheimer's disease and is about to enter a nursing home. Lucette, the housekeeper, is packing up the home where Anna has always lived and Clementine, Anna's grandaughter, comes to help and spend the last days in the house with her grandmother.
The classic story of Peter and The Wolf comes brilliantly to life in this animated film, recounting a magical world in which little boys can find the strength and courage to overcome their fears and the ever-present dangers that surround them.
Wayne Wilson is a primo paparazzi who has gained his reputation by stalking his celebrity clients. Feted by an editor who need his skills to increase the circulation of her magazine, he goes on a spree of photograping footballers, models and rockstars, but does not follow his brief. Eleanor the editor is not impressed. To get him to make amends, she sends him to photgraph the reclusive actress May Hudson, who has not been photgraphed for years.
He soon discovers that he cannot get her picture in the conventional manner, as she never leaves her Buckingham mansion. Wayne realises he must try to befriend May's village neighbours of film producers and actors. However they quickly quickly turn their aquaintance with him to their advantage by hatching a plan to have Wayne pose as a movie producer to get May in their movie.
Like the film Sunset Boulevard, May makes a triumphal return to Pinewood Studios when the village has-beens succeed in getting their film funded, but when she discovers Wayne is a lowly paparazzi, she drugs and ties him to the bed.
Kidnapped and helpless Wayne's life as a paparazzi unravels before him!
Bhavesh, Farhan and Kamal all aged 24, are keen number plate collectors. PL4TE5 documents the stories behind their cherished marks, exploring the roots of their fixation, their lifestyles and charts the accumulation of their collection. All three men are easily identifiable by their plates and cars. The plates have become an extension of their identities.
Tomboyish Pumpgirl loses herself in girlish daydreams about stock-car driver Hammy. She naively believes that Hammy loves her and will leave his wife, Sinead.
Stuck in a loveless marriage with Hammy, Sinead’s need to be stimulated spiritually pulls her into an adulterous passion with Shawshank.
When Shawshank realises that the lascivious Hammy has a soft spot for Pumpgirl, he orchestrates a gang rape of her.
Hammy is filled with conscience-stricken despair after the rape and seeks solace in his family. Pumpgirl starts to stalking Hammy and is furious when she sees him play happy families with Sinead and the kids. Unfortunately, Sinead is now pregnant with Shawshank’s child.
As Hammy’s guilt turns to self loathing, he decides to set fire to Shawshank’s truck. He tries to call Sinead and, when she fails to reply, anguished, indeed suicidal, he attaches a tube to the exhaust pipe on his car, feeds it through the window and sits down inside.
Ignoring Hammy’s calls, Sinead is trying to tell Shawshank about the baby. Shawshank misunderstands Sinead’s intentions and becomes violent.
Finally realising that she had been deluding herself about Hammy, Pumpgirl kidnaps his kids Kelly and Darren. Eventually, she relents and delivers them safely to Sinead.
Young and pretty Romanian Nicola was trafficked into the UK after the promise of a legitimate job and prosperous future. She’s ended up forced into work at nasty Rocky’s brothel.
One evening Nicola snicks out of the flat to make a desperate phone call home. This is short lived as Rocky finds her and drags her to the house where she’s beaten up and coerced to get ready for her next client.
Rage is a tragicomedy seen through the eyes of a boy who becomes a player in a high fashion murder investigation when interviews for his website start to spiral into catastrophe.
The idyllic world of 6 year-old Ravi (the Watchman's son) is tranformed when Pooja moves into the building with her husband Rohit. Pooja takes Ravi under her wing, puts him in school and introduces him to a whole new world, but can she keep it up.
Sanctuary is the true story of one woman, Marjorie, who tries to seek asylum in the UK. Speaking of her experiences in her own words, this film illustrates the journey she goes through - her inward journey as she confronts the affects of her torture and her outward journey as she struggles for asylum
As Alison waits for her lunchtime appointment, a familiar figure enters the restaurant - it's Laura, her first love. Without warning, Laura drops a bombshell: she still loves Alison and wants her back. Before Alison can catch her breath, Sara, her girlfriend, rushes into the restaurant and wonders how Alison knows Laura, her mother.
She has a choice. Does Alison make the right one?
